Cara Dillon to appear at Ropery Hall

Irish folk singer Cara Dillon makes music that transcends genres and crosses barriers.  She has won every folk award going and in February she will be appearing at Barton upon Humber’s Ropery Hall thanks to Mark Keable of mtm promotions.

“If you don’t know the voice of Cara Dillon, you’re in for a treat.  If you are already amongst her legions of admirers around the world, you know you will have something special in store,” said Mark.

Known for being both an original artist and one of the finest exponents of traditional Irish song throughout the world, Cara has successfully steered an eclectic musical path defying the typical pigeonholes that hinder most artists in her genre.  In doing so she has earned both commercial success and critical acclaim.

Cara’s musical journey began when she won the All Ireland Singing Trophy at only 14 years and her teenage years were spent performing with bands including Irish music legends, De Dannan.  Signed to Warners at the age of 19 as part of “Equation” it was in this band that she met her future husband, Sam Lakeman.  The two left the band after only a year craving a more adventurous musical path and so began an extraordinary journey together.

Cara Dillon’s eponymous debut album was recorded in 2—1 immediately after the couple ended their relationship with Warners.  When released in July 2001 it become one of the biggest selling folk records of the decade, was critically acclaimed in the music press for being inspirational, energising, and evocative, and won Cara two BBC Radio 2 Folk Awards.

Her second album “Sweet Liberty” was released in September 2003 and was no less successful with Cara picking up one of the biggest awards in Ireland, The Meteor Music Award for “Best Irish Female” alongside the Tatler magazine “Woman of The Year in Music”.

“Cara Dillon is at the very top of her field and one has the feeling she’ll remain there for a very long time,” Mark went on.  “When she sings, Cara’s voice embraces the divine.  In person, she can be blunt and ebullient, with a vigorous and enchanting character“.

Interspersed within their musical journey together, Cara and Sam have had the privilege to have been asked to guest on some remarkable projects and have chosen to explore some surprising avenues.  In the late 1990s they worked on tracks with the likes of Kevin Shields (My Bloody Valentine), Richard Hawley and Robin Millar and Cara recorded the lead single, “Man In The Rain”, on Mike Oldfield’s “Tubular Bells III” and was a featured vocalist alongside Sinead O’Connor on the Ghostland album.

She guested on the title track to the hit movie “Keeping Mum” starring Rowen Atkinson, Maggie Smith, and Patrick Swayze and sang live to a televised audience of several hundred million at the opening ceremony of the 2006 Ryder Cup.

Four years later Cara was asked to record the title track to Disney’s “Tinker Bell and The Great Fairy Rescue” in Abbey Road Studios and also narrated the opening sequence of the movie.  The couple also recorded a lullaby for the end credits of the movie as well as an original song to be played at the close of the night-time spectacular show, “Disney Dreams”, in Disneyland Paris entitled “Come Dream A Dream”.

Her latest album A Thousand Hearts, released in 2014, was recorded entirely by Cara, Sam and their band, although a member of the Eagles, Timothy B Schmidt, did drop in and sing backing vocals on Bright Morning Star.

Cara’s gig on Friday, February 19, starts at 8pm and tickets cost £20 in advance or £22 on the door.  They can be purchased via www.roperyhall.co.uk, by telephoning 01652 660380 or in person at The Ropewalk’s Craft Gallery.

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Blackbeard’s Tea Party

We are happy to welcome Blackbeard’s Tea Party back to Ropery Hall with their brand of gutsy folk rock. Traditional songs and folk tunes are given a heavy rock edge with playful arrangements and driving dance rhythms. This is all mixed up in an engaging, high-octane stage show that frequently leaves audiences cheering for more.”

By richardhatfield |

John Otway

Back in the austere 1950’s a schoolboy drank a bottle of ink and instantly became the centre of attention in the playground.
Now read on…..

Rock veteran John Otway dubbed himself “rock’n’roll’s greatest failure” after many unsuccessful attempts to produce a second hit single to follow his 1977 classic (Cor Baby, That’s) Really Free with Wild Willy Barrett.

However, a mere quarter century later, he was back on Top of  The Pops with the wonderful disco pastiche, ‘Bunsen Burner’ and back in the charts as a birthday present from his adoring and patient fans.

And, more recently, his “Beware Of The Flowers Cause I’m Sure They’re Going To Get You Yeah” voted the seventh greatest lyric of all time in a BBC poll.

But that, of course, was not enough.

A couple of years ago John realised that live footage from the many concerts over the years, plus many TV appearances – and a failed world tour attempt – would make an entertaining documentary film. So he made one. Initially expecting a couple of humble screenings for fans, the film premiered at the Odeon, Leicester Square, was shown at Cannes – and at prestigious UK film festivals including Cambridge during it’s national tour.

2016 saw a remarkably successful Kickstarter appeal which raised over £40,000 for  John Otway and the Big Band to record their first new album in many years on the island of Monserrat, whose famous studios hosted bands such as the Rolling Stones before being devastated by forces of nature, being a preferable option to Harlow.

The album ( strangely enough called ‘ Montserrat’ ) is available now on Red Bowler Records.

Expect madcap mayhem and some scintillating stunts from a man old enough to know better…..and also to be surprised at just what a showman and musician really lies underneath the tomfoolery.

…………………………………………………………………………………………………

‘He’s a cabaret act masquerading as a rock act. He is gleeful, anecdotal, funny and life-enhancing.’
Canterbury Fayre Review.

 

By richardhatfield |

Martin Simpson

Martin Simpson has transcended borders and oceans to quietly become a superb storyteller and musician of great depth and unquestionable taste. Stephen Fearing

The remarkable intimate solo performances Martin gives go from strength to strength – every gig is a masterclass. He travels the length and breadth of the UK and beyond, giving rapt audiences passion, sorrow, love, beauty, tragedy and majesty through his playing.

“What’s it like being the best guitar player in the world…?” Martin’s modesty and grace prevented him from answering this BBC Radio 4 interviewer’s question recently, but the facts speak for themselves.

40 years after he recorded his first album, Golden Vanity, in 1976, Martin is known as a guitarist of formidable talent. Equally at home playing English traditional folk, American folk and blues and his own compositions, he is consistently named as one of the very finest fingerstyle guitar players in the world.

He is listed in Gibson Guitars’ Top 30 Acoustic Guitarists of all time, and Acoustic Guitar readers voted him number 12 guitarist in the world in 2005.

Universally acclaimed as one of the finest ever acoustic and slide guitar players, and a fine banjo-picker to boot, his solo shows bear witness to an artist at the very top of his game. Whether interpreting material from tradition or singing his own potent self-penned songs, Simpson is a remarkable storyteller: captivating and profoundly moving. His own songwriting produced the poignant ‘Never Any Good’, from Prodigal Son, 2007’s Folk Album of the Year.

Martin continues to collaborate with a dazzling array of people from across the musical spectrum: Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo, Danú, Richard Thompson and Dom Flemons are among the great musicians he has worked with.

In recent years, he has been a lynchpin in the award-winning Full English, The Elizabethan Sessions and, in 2015, recorded Murmurs, an exciting new album with Andy Cutting and Nancy Kerr. Martin’s eagerly awaited new solo album entitled Trails and Tribulations will be released in September 2017 on Topic Records. Album guests include Andy Cutting, Kathryn Tickell, Nancy Kerr and John Smith.

He has had the most nominations of any performer in the 18 years of the BBC Radio 2 Folk Awards, an astonishing 31 times, 12 of those as Musician of the Year, winning that particular accolade twice.

A virtuoso player without question, but above all Martin Simpson conveys his diverse treasure trove of material from the heart, performing with rare subtlety, intensity and honesty. A true master of his art.

By richardhatfield |

Angela Barnes: Fortitude

Following another sell-out run at the Edinburgh Festival the Mock The Week regular and host of BBC R4’s Newsjack Angela Barnes will be taking her ‘beautifully structured show’ (The Scotsman) Fortitude on the road.

On November 9th 2016, two momentous things happened to Angela, which have deeply affected her. Donald Trump won the US election and she turned 40.

Now, Angela is in no rush to join the ranks of middle aged, she’s only just getting started. She didn’t become a comedian until 33, only learnt to swim when she was 37, didn’t fall in love until 38 and passed her driving test at 39. Why the hurry? She is un-pensioned, un-married, un-mortgaged and a fully paid-up member of the Peter Pan generation.  People have stopped asking Barnes what she’s going to be when she grows up, and instead want to know when she is going to settle down; she hasn’t been bothered by the ticking of the biological clock, thus far – maybe it’s missing batteries.  But what happens when the choices you make aren’t your choice anymore? Does her body have different ideas about the future?

“She’s just a gloriously down-to-earth, straight talking and extremely funny comic”   The Guardian

“Storming hour of stand-up”  Fest – ★★★★

Before becoming a comedian, Angela worked in health and social care. In 2011, she won the BBC New Comedy Award and became a finalist at the 2011 Latitude Festival New Act of the Year competition. Since then Angela has become a regular on BBC’s The News Quiz, Newsjack and Mock The Week.  She has also appeared on BBC Three’s Russell Howard’s Good NewsRussell Kane’s Whistle Stop Tour (BBC Radio 2), and BBC Radio 4’s The Now Show.

“feels like a sure-fire bet the instant she utters her opening lines.” The Scotsman

By richardhatfield |

Ivo Graham: Educated Guess

After an eventful year off (got a new laptop, etc.), the boy’s back in town, with resolutions galore but less courage in his convictions than ever. How much has Ivo learnt? And what good has it done him? As seen on Mock The Week, Live At The Apollo, As Yet Untitled, Live From The BBC, Fighting Talk.

 

“Sharp punchlines, topper gags and the unmistakable sense of a young comic finding another gear” – Scotsman.

“Honed to within a whisker of perfection… a joyous show” – Evening Standard.

“Like Hugh Grant’s less well-adjusted younger brother” – Guardian

By richardhatfield |

PHILL JUPITUS – JUPLICITY

Join stand-up comedian, poet, improviser, and TV stalwart Phill Jupitus for over an hour of tales, laughs and diversions. Watch in delight and/or horror as this experienced funny man drags laughs out of the chaos of his own life and the uncertain world that surrounds it.

Adult themes and situations, but delivered childishly.

Phill became a familiar face when he started as team captain on BBC2’s pop quiz Never Mind The Buzzcocks in 1996, which went on to run for 19 years. Aside from Never Mind the Buzzcocks and live stand up shows all over the UK, he also appears as a regular guest on QI (BBC2) and Alan Davies As yet Untitled (Dave), and in 2012 returned to television stand-up for the first time since 2000 with an appearance on Live at the Apollo (BBC1).

On BBC Radio 4 Phill is a regular panellist of the award winning I’m Sorry I Haven’t a Clue and The Unbelievable Truth and was resident curator on The Museum of Curiosity. In addition, he has presented numerous radio documentaries including, Phill Jupitus’ Comic Strips, Calvin and Hobbes and The Man Who Bought Hendrix’s Stage.

Phill’s theatre work includes playing Bottom in the Bath Theatre Royal production of A Midsummer’s Night Dream, appearing alongside Jason Manford in the UK touring production of The Producers as Franz Liebkind, the West End production of Urinetown in the role of Caldwell B. Cladwell at the Apollo Theatre and his West End singing debut in 2009 when he played Edna Turnblad in the hit musical Hairspray at The Shaftesbury Theatre.

By richardhatfield |